Chapter 12
THE
QUIVA
In the next days I several times wandered into the vicinity of the huge wagon of Kutaituchik, called Ubar of the Tuchuks. More than once I was warned away by guards. I knew that in that wagon, if the words of Saphrar were correct, there lay the golden sphere, doubtless the egg of Priest-Kings, which he had, for some reason, seemed so anxious to obtain.
I realized that I must, somehow, gain access to the wagon and find and carry away the sphere, attempting to return it to the Sardar. I would have given much for a tarn. Even on my kaiila I was certain I could be outdistanced by numerous riders, each leading, in the Tuchuk fashion, a string of fresh mounts. Eventually my kaiila would tire and I would be brought down on the prairie by pursuers. The trailing would undoubtedly be done by trained herd sleen.
The prairie stretched away for hundreds of pasangs in all directions. There was little cover.
It was possible, of course, that I might declare my mission to Kutaituchik or Kamchak, and see what would occur but I knew that Kamchak had said to Saphrar of Turia that the Tuchuks were fond of the golden sphere and I had no hopes that I might make them part with it, and surely I had no riches comparable to those of Saphrar with which to purchase it and Saphrar’s own attempts to win the sphere by purchase, I reminded myself, had failed.
Yet I was hesitant to make the strike of a thief at the wagon of Kutaituchik for the Tuchuks, in their bluff way, had made me welcome, and I had come to care for some of them, particularly the gruff, chuckling, wily Kamchak, whose wagon I shared. It did not seem to me a worthy thing to betray the hospitality of Tuchuks by attempting to purloin an object which obviously they held to be of great value. I wondered if any in the camp of the Tuchuks realized how actually great indeed was the value of that golden sphere, containing undoubtedly the last hope of the people called Priest-Kings.
In Turia I had learned nothing, unfortunately, of the answers to the mystery of the message collar or to the appearance of Miss Elizabeth Cardwell on the southern plains of Gor. I had, however, inadvertently, learned the location of the golden sphere, and that Saphrar, a man of power in Turia, was also interested in obtaining it. These bits of information were acquisitions not negligible in their value.
I wondered if Saphrar himself might be the key to the mysteries that confronted me. It did not seem impossible.
How was it that he, a merchant of Turia, knew of the golden sphere? How was it that he, a man of shrewdness and intelligence, seemed willing to barter volumes of gold for what he termed merely a curiosity? There seemed to be something here at odds with the rational avarice of mercantile calculation, something extending even beyond the often irresponsible zeal of the dedicated collector which he seemed to claim to be. Yet I knew that whatever Saphrar, merchant of Turia, might be, he was no fool. He, or those for whom he worked, must have some inkling or perhaps know of the nature of the golden sphere. If this was true, and I thought it likely, I realized I must obtain the egg as rapidly as possible and attempt to return it to the Sardar.
There was no time to lose. And yet how could I succeed?
I resolved that the best time to steal the egg would be during the days of the Omen Taking. At that time Kutaituchik and other high men among the Tuchuks, doubtless including Kamchak, would be afield, on the rolling hills surrounding the Omen Valley, in which on the hundreds of smoking altars, the haruspexes of the four peoples would be practicing their obscure craft, taking the omens, trying to determine whether or not they were favourable for the election of a Ubar San, a One Ubar, who would be Ubar of all the Wagons. If such were to be elected, I trusted, at least for the sake of the Wagon Peoples, that it would not be Kutaituchik. Once he might have been a great man and warrior but now, somnolent and fat, he thought of little save the contents of a golden kanda box. But, I reminded myself, such a choice, if choice there must be, might be best for the cities of Gor, for under Kutaituchik the Wagons would not be likely to move northward, nor even to the gates of Turia.
But, I then reminded myself even more strongly, there would be no choice there had been no Ubar San for a hundred years or more the Wagon Peoples, fierce and independent, did not wish a Ubar San.
I noted, following me, as I had more than once, a masked figure, one wearing the hood of the Clan of Torturers. I supposed he was curious about me, not a Tuchuk, not a merchant or singer, yet among the Wagons. When I would look at him, he would turn away. Indeed, perhaps I only imagined he followed me. Once I thought to turn and question him, but he had disappeared.
I turned and retraced my steps to the wagon of Kamchak.
I was looking forward to the evening.
The little wench from Port Kar, whom Kamchak and I had seen in the slave wagon when we had bought Paga the night before the games of Love War, was this night to perform the chain dance. I recalled that he might have, had it not been for me, even purchased the girl. She had surely taken his eye and, I shall admit, mine as well.
Already a large, curtained enclosure had been set up near the slave wagon. For a fee, the proprietor of the wagon would permit visitors. These arrangements irritated me somewhat, for customarily the chain dance, the whip dance, the love dance of the newly collared slave girl, the brand dance, and so on, are performed openly by firelight in the evening, for the delight of any who care to watch. Indeed, in the spring, with the results of caravan raids already accumulating, it is a rare night on which one cannot see one or more such dances performed. I gathered that the little wench from Port Kar must be superb. Kamchak, not a man to part easily with a tarn disk, had apparently received inside word on the matter. I resolved not to wager with him to see who would pay the admission.
When I returned to the wagon I saw the bosk had already been tended, though it was early in the day, and that there was a kettle on an outside fire boiling. I also noted that the dung sack was quite full.
I bounded up the stairs and entered the wagon.
The two girls were there, and Aphris was kneeling behind Elizabeth, combing Elizabeth’s hair.
Kamchak, as I recalled, had recommended a thousand strokes a day.
The pelt of the larl which Elizabeth wore had been freshly brushed.
Both girls had apparently washed at the stream some four pasangs away, taking the opportunity to do so while fetching water.
They seemed rather excited. Perhaps Kamchak would permit them to go somewhere.
Aphris of Turia wore bells and collar, about her neck the Turian collar hung with bells, about each wrist and ankle, locked, a double row of bells. I could hear them move as she combed Elizabeth’s hair. Aside from the bells and collar she wore only several strings of diamonds wrapped about the collar, some dangling from it, with the bells.
"Greetings, Master," said both girls at the same time.
"Ow!" cried Elizabeth as Aphris’ comb apparently suddenly caught in a snarl in her hair.
"Greetings," I said. "Where is Kamchak?"
"He is coming," said Aphris.
Elizabeth turned her head over her shoulder. "I will speak with him," she said. "I am First Girl."
The comb caught in Elizabeth’s hair again and she cried out.
"You are only a barbarian," said Aphris sweetly.
"Comb my hair, Slave," said Elizabeth, turning away.
"Certainly slave," said Aphris, continuing her work.
"I see you are both in a pleasant mood," I said. Actually, as a matter of fact, both were. Each seemed rather excited and happy, their bickering notwithstanding.
"Master," said Aphris, "is taking us tonight to see a Chain Dance, a girl from Port Karl"
I was startled.
"Perhaps I should not go," Elizabeth was saying, "I would feel too sorry for the poor girl."
"You may remain in the wagon," said Aphris.
"If you see her," I said, "I think you will not feel sorry for her." I didn’t really feel like telling Elizabeth that no one ever feels sorry for a wench from Port Karl They tend to be superb, feline, vicious, startling. They are famed as dancers throughout all the cities of Gor.
I wondered casually why Kamchak was taking the girls, for the proprietor of the slave wagon would surely want his fee for them as well as us.
"Ho!" cried Kamchak, stomping into the wagon. "Meat!" he cried.
Elizabeth and Aphris leaped up to tend the pot outside.
He then settled down cross-legged on the rug, not far from the brass and copper grating.
He looked at me shrewdly and, to my surprise, drew a tospit out of his pouch, that yellowish-white, bitter fruit, looking something like a peach but about the size of a plum.
He threw me the tospit.
"Odd or even?" he asked.
I had resolved not to wager with Kamchak, but this was indeed an opportunity to gain a certain amount of vengeance which, on my part, would be sorely appreciated. Usually, in guessing tospit seeds, one guesses the actual number, and usually both guessers opt for an odd number. The common tospit almost invariably has an odd number of seeds. On the other hand the rare, long-stemmed tospit usually has an even number of seeds. Both fruits are indistinguishable outwardly.
I could see that, perhaps by accident, the tospit which Kamchak had thrown me had had the stem twisted off. It must be then, I surmised, the rare, long-stemmed tospit.
"Even," I said.
Kamchak looked at me as though pained. "Tospits almost always have an odd number of seeds," he said.
"Even," I said.
"Very well," said he, "eat the tospit and see."
"Why should I eat it?" I asked. The tospit, after all, is quite bitter. And why shouldn’t Kamchak eat it? He had suggested the wager.
"I am a Tuchuk," said Kamchak, "I might be tempted to swallow seeds."
"Let’s cut it up," I proposed.
"One might miss a seed that way," said Kamchak.
"Perhaps we could mash the slices," I suggested.
"But would that not be a great deal of trouble," asked Kamchak, "and might one not stain the rug?"
"Perhaps we could mash them in a bowl," I suggested.
"But then a bowl would have to be washed," said Kamchak.
"That is true," I admitted.
"All things considered," said Kamchak, "I think the fruit should be eaten."
"I guess you are right," I said.
I bit into the fruit philosophically. It was indeed bitter.
"Besides," said Kamchak, "I do not much care for tospit."
"I am not surprised," I said.
"They are quite bitter," said Kamchak.
"Yes," I said.
I finished the fruit and, of course, it had seven seeds.
"Most tospits," Kamchak informed me, "have an odd number of seeds."
"I know," I said.
"Then why did you guess even?" he asked.
"I supposed," I grumbled, "that you would have found a long-stemmed tospit."
"But they are not available," he said, "until late in the summer."
"Oh," I said.
"Since you lost," pointed out Kamchak, "I think it only fair that you pay the admission to the performance."
"All right," I said.
"The slaves," mentioned Kamchak, "will also be coming."
"Of course," I said, "naturally."
I took out some coins from my pouch and handed them to Kamchak who slipped them in a fold of his sash. As I did so I glowered significantly at the tankards of jewels and chests of golden tarn disks in the corner of the wagon.
"Here come the slaves," said Kamchak.
Elizabeth and Aphris entered, carrying the kettle-between them, which they sat on the brass and copper grating over the fire bowl in the wagon.
"Go ahead and ask him," prompted Elizabeth, "Slave."
Aphris seemed frightened, confused.
"Meat!" said Kamchak.
After we had eaten and the girls had eaten with us, there not being that night much time for observing the amenities, Elizabeth poked Aphris, "Ask him," she said.
Aphris lowered her head and shook it.
Elizabeth looked at Kamchak. "One of your slaves," she said, "would like to ask you something."
"Which one?" inquired Kamchak.
"Aphris;" said Elizabeth firmly.
"No," said Aphris, "no, Master."
"Give him Ka-la-na wine," prompted Elizabeth.
Aphris got up and fetched not a skin, but a bottle, of wine, Ka-la-na wine, from the Ka-la-na orchards of great Ar itself.
She also brought a black, red-trimmed wine crater from the isle of Cos.
"May I serve you?" she asked.
Kamchak’s eyes glinted. "Yes," he said.
She poured wine into the crater and replaced the bottle.
Kamchak had watched her hands very carefully. She had had to break the seal on the bottle to open it. The crater had been upside down when she had picked it up. If she had poisoned the wine she had certainly done so deftly.
Then she knelt before him in the position of the Pleasure Slave and, head down, arms extended, offered him the crater.
He took it and sniffed it and then took a wary sip.
Then he threw back his head and drained the crater.
"Hah!" said he when finished.
Aphris jumped;
"Well," said Kamchak, "what is it that a Turian wench would crave of her master?"
"Nothing," said Aphris.
"If you do not ask him, I shall," said Elizabeth.
"Speak, Slave!" shouted Kamchak and Aphris went white and shook her head.
"She found something today," said Elizabeth, "that someone had thrown away."
"Bring it!" said Kamchak.
Timidly Aphris rose and went to the thin rep-cloth blanket that was her bedding near the boots of Kamchak. Hidden in the blanket there was a faded yellow piece of cloth, which she had folded very small.
She brought it to Kamchak and held it out to him.
He took it and whipped it out. If was a worn, stained Turian camisk, doubtless one that had been word by one of the Turian maidens acquired in Love War.
Aphris had her head to the rug, trembling.
When she looked up at Kamchak there were tears in her eyes. She said, very softly, "Aphris of Turia, the slave girl, begs her master that she might clothe herself."
"Aphris of Turia," laughed Kamchak, "begs to be permitted to wear a camisk"
The girl nodded and swiftly put her head down.
"Come here, Little Aphris," said Kamchak.
She came forward.
He put his hands in the strings of diamonds on her throat.
"Would you rather wear diamonds or the camisk?" he asked.
"Please, Master," she said, "the camisk."
Kamchak jerked the diamonds from her collar and threw them to the side of the room. Then he withdrew from his pouch the key to her collar and bells and, lock by lock, removed them from her. She could hardly believe her eyes.
"You were very noisy," Kamchak said to her, sternly.
Elizabeth clapped her hands with pleasure and began to consider the camisk.
"A slave girl is grateful to her master," said Aphris, tears in her eyes.
"Properly so," agreed Kamchak.
Then, delighted, Aphris, assisted by Elizabeth Cardwell, donned the yellow camisk. Against her dark almond eyes and long black hair the yellow camisk was exceedingly lovely.
"Come here," commanded Kamchak, and Aphris ran lightly to him, timidly.
"I will show you how to wear a camisk," said Kamchak, taking the cord and adjusting it with two or three pulls and jerks that just about took the wind out of the Turian girl. He then tied it tightly about her waist. "There," he said, "that is how a camisk is worn." I saw that Aphris of Turia would be marvellously attractive in the garment.
Then, to my surprise, she walked a bit in the wagon and twirled twice before Kamchak. "Am I not pretty, Master?" she asked.
"Yes," said Kamchak, nodding.
She laughed with delight, as proud of the worn camisk as she might have been once of robes of white and gold.
"For a Turian slave," added Kamchak.
"Of course," she laughed, "for a Turian slave!"
"We will be late for the performance," said Elizabeth, "if we do not hurry."
"I thought you were staying in the wagon," said Aphris.
"No," said Elizabeth, "I have decided to come."
Among them even some Kassars and Paravaci, and one of the rare Kataii, seldom seen in the encampments of the other peoples. The Tuchuks, of course, were most in evidence, sitting cross-legged in circles rather about a large fire near the centre of the enclosure. They were in good humour and were laughing and moving their hands about as they regaled one another with accounts of their recent deeds, of which there were plainly a great many, it being the most active season for caravan raiding. The fire, I was pleased to note, was not of boskdung but wood, timber and planking, I was less pleased to note, torn and splintered from a merchant’s wagon.
To one side, across a clearing from the fire, a bit in the background, was a group of nine musicians. They were not as yet playing, though one of them was absently tapping a rhythm on a small hand drum, the kaska; two others, with stringed instruments, were tuning them, putting their ears to the instruments. One of the instruments was an eight-stringed czehar, rather like a large flat oblong box; it is held across the lap when sitting cross-legged and is played with a horn pick; the other was the kalika, a six-stringed instrument; it, like the czehar, is flat-bridged and its strings are adjusted by means of small wooden cranks; on the other hand, it less resembles a low, flat box and suggests affinities to the banjo or guitar, though the sound box is hemispheric and the neck rather long; it, too, of course, like the czehar, is plucked; I have never seen a bowed instrument on Gor; also, I Night mention, I have never on Gor seen any written music; I do not know if a notation exists; melodies are passed on from father to son, from master to apprentice. There was another kalika player, as well, but he was sitting there holding his instrument, watching the slave girls in the audience. The three flutists were polishing their instruments and talking together; it was shop talk I gathered, because one or the other would stop to illustrate some remark by a passage on his flute, and then one of the others would attempt to correct or improve on what he had done; occasionally their discussion grew heated. There was also a second drummer, also with a kaska, and another fellow, a younger one, who sat very seriously before what appeared to me to be a pile of objects; among them was a notched stick, played by sliding a polished em-wood stick across its surface; cymbals of various sorts; what was obviously a tambourine; and several other instruments of a percussion variety, bits of metal on wires, gourds filled with pebbles, slave bells mounted on hand rings, and such. These various things, from time to time, would be used not only by himself but by others in the group, probably the second kaska player and the third flutist.
Among Gorean musicians, incidentally, czehar players have the most prestige; there was only one in this group, I noted, and he was their leader; next follow the flutists and then the players of the kalika; the players of the drums come next; and the farthest fellow down the list is the man who keeps the bag of miscellaneous instruments, playing them and parcelling them out to others as needed. Lastly it might be mentioned, thinking it is of some interest, musicians on Gor are never enslaved; they may, of course, be exiled, tortured, slain and such; it is said, perhaps truly, that he who makes music-must, like the tarn and the Vosk gull, be free.
Inside the enclosure, over against one side, I saw the slave wagon. The bosk had been unhitched and taken elsewhere. It was open and one could go in and purchase a bottle of Paga if one cared to do so.
"One is thirsty," said Kamchak.
"I’ll buy the Paga," I said.
Kamchak shrugged. He had, after all, bought the admissions.
When I returned with the bottle I had to step through, over, and once or twice on, Tuchuks. Fortunately my clumsiness was not construed as a challenge. One fellow I stepped on was even polite enough to say, "Forgive me for sitting where you are stepping." In Tuchuk fashion, I assured him that I had taken no offence, and, sweating, I at last made my way to Kamchak’s side. He had rather good seats, which hadn’t been there before, obtained by the Tuchuk method of finding two individuals sitting closely together and then sitting down between them. He had also parked Aphris on his right and Elizabeth on his left. I bit out the cork in the Paga and passed it past Elizabeth to Kamchak, as courtesy demanded.
About a third of the bottle was missing when Elizabeth, looking faint at having smelled the beverage, returned it to me.
I heard two snaps and I saw that Kamchak had put a hobble on Aphris. The slave hobble consists of two rings, one for a wrist, the other for an ankle, joined by about seven inches of chain. In a right-handed girl, such as either Aphris or Elizabeth, it locks on the right wrist and left ankle. When the girl kneels, in any of the traditional positions of the Gorean woman, either slave or free, it is not uncomfortable.
In spite of the hobble, Aphris, in the yellow camisk, black hair flowing behind her, was kneeling alertly by Kamchak’s side, looking about her with great interest. I saw several of the Tuchuks present eye her with admiration. Female slaves on Gor, of course, are used to being eyed boldly. They expect this and relish it. Aphris, I discovered, to my delight, was no exception.
Elizabeth Cardwell also had her head up, kneeling very straight, obviously not unconscious that she herself was the object of a look or two.
I noted that, in spite of the fact that Aphris had now been in the wagon for several days, Kamchak had not yet called for the Iron Master. The girl had neither been branded nor had the Tuchuk nose ring been affixed. This seemed to me of interest. Moreover, after the first day or two he had hardly-cuffed the girl, though he had once beaten her rather severely when she had dropped a cup. Now I saw that, though she had been only a few days his slave, already he was permitting her to wear the camisk. I smiled rather grimly to myself and took a significant swallow of Paga. "Wily Tuchuk, eh?" I thought to myself.
Aphris, for her part, though the quivas were still available, seemed, shortly after having begun to sleep at Kamchak’s boots, for some reason to have thought the better of burying one in his heart. It would not have been wise, of course, for even were she successful, her consequent hideous death at the hands of the Clan of Torturers would probably, all things considered, have made her act something of a bad bargain.
On the other hand she may have feared that Kamchak would simply turn around and seize her. After all, it is difficult to sneak up on a man while wearing collar and bells. Also, she may have feared more than death that if she failed in an attempt to slay him she would be plunged in the sack again which lay ever ready near the back, left wheel of the wagon.
That seemed to be an experience which she, no more than Elizabeth Cardwell, was not eager to repeat.
Well did I recall the first day following the first night of Aphris as the slave of Kamchak. We had slept late that day and finally when Kamchak managed to be up and around, after a late breakfast served rather slowly by Elizabeth, and had recollected Aphris and had opened the end of her sleeping quarters and she had crawled out backward and had begged, head to boot, to be allowed to draw water for the bosk, though it was early, it seemed evident to all that the lovely wench from Turia would not, could she help it, spend a night again similar to her first in the encampment of Tuchuks. "Where will you sleep tonight, Slave?" Kamchak had demanded. "If my master will permit," said the girl, with great apparent sincerity, "at his feet." Kamchak laughed.
"Get up, Lazy Girl," said he, "the bosk need watering." Gratefully Aphris of Turia had taken up the leather buckets and hurried away to fetch water.
I heard a bit of chain and looked up. Kamchak tossed me the other hobble. "Secure the barbarian," he said.
This startled me, and startled Elizabeth as well.
How was it that Kamchak would have me secure his slave?
She was his, not mine. There is a kind of implicit claim of ownership involved in putting a wench in slave steel. It is seldom done save by a master.
Suddenly Elizabeth was kneeling terribly straight, looking ahead, breathing very quickly.
I reached around and took her right wrist, drawing it behind her body. I locked the wrist ring about her wrist. Then I took her left ankle in my hand and lifted it a bit, slipping the open ankle ring under it. Then I pressed the ring shut. It closed with a small, heavy click.
Her eyes suddenly met mine, timid, frightened.
I put the key in my pouch and turned my attention to the crowd. Kamchak now had his right arm about Aphris.
"In a short time," he was telling her, "you will see what a real woman can do."
"She will be only a slave such as I," Aphris was responding.
I turned to face Elizabeth. She was regarding me, it seemed, with incredible shyness. "What does it mean," she asked, "that you have chained me?"
"Nothing," I said.
Her eyes dropped. Without looking up, she said, "He likes her."
"Aphris the Slave?" I asked.
"Will I be sold?" she asked.
I saw no reason to hide this from the girl. "It is possible," I said.
She looked up, her eyes suddenly moist. "Tarl Cabot," she said, whispering, "if I am to be sold buy me."
I looked at her with incredulity.
"Why?" I asked.
Kamchak reached across Elizabeth and dragged the Paga bottle out of my hand. Then he was wrestling with Aphris and had her head back, fingers pinching her nose, the neck of the bottle thrust between her teeth. She was struggling and laughing and shaking her head. Then she had to breathe and a great draught of Paga burned its way down her throat making her gasp and cough. I doubt that she had ever before experienced a drink stronger than the syrupy wines of Turia.
She was now gasping and shaking her head and Kamchak was pounding her on the back.
"Why?" I again asked Elizabeth.
But Elizabeth, with her free left hand had seized the Paga bottle from Kamchak, and, to his amazement, had thrown back her head and taken, without realizing the full import of her action, about five lusty, guzzling swallows of Paga. Then, as I rescued the bottle, her eyes opened very wide and then blinked about ten times. She exhaled slowly as if fire might be sizzling out instead of breath and then she shook, a delayed reaction, as if she had been thumped five times and then began to cough spasmodically and painfully until I, fearing she might suffocate, pounded her several times on the back. At last, bent over, gasping for breath, she seemed to be coming around. I held her by the shoulders and suddenly she turned herself in my hands and, as I was sitting cross-legged, threw herself on her back across my lap, her right wrist still chained to her left ankle. She stretched insolently, as well as she could. I was astounded. She looked up at me. "Because I am better than Dina and Tenchika," she said.
"But not better than Aphris," called Aphris.
"Yes," said Elizabeth, "better than Aphris."
"Get up, Little She-Sleen," said Kamchak, amused, "or to preserve my honour I must have you impaled."
Elizabeth looked up at me.
"She’s drunk," I told Kamchak.
"Some men might like a barbarian girl," Elizabeth said.
I hoisted Elizabeth back up on her knees. "No one will buy me," she wailed.
There were immediate offers from three or four of the Tuchuks gathered about, and I was afraid that Kamchak might, if the bids improved, part with Miss Cardwell on the spot.
"Sell her," advised Aphris.
"Be quiet, Slave," said Elizabeth.
Kamchak was roaring with laughter.
The Paga had apparently hit Miss Cardwell swiftly and hard. She seemed barely able to kneel and, at last, I permitted her to lean against me, and she did, her chin on my right shoulder.
"You know," said Kamchak, "the Little Barbarian wears your chain well."
"Nonsense," I said.
"I saw," said Kamchak, "how at the games when you thought the men of Turia charging you were prepared to rescue the wench."
"I wouldn’t have wanted your property Kamchak," I said.
"You like her," announced Kamchak.
"Nonsense," I said to him.
"Nonsense," said Elizabeth, sleepily.
"Sell her to him," recommended Aphris, hiccupping.
"You only want to be First Girl," said Elizabeth.
"I’d give her away myself," said Aphris. "She is only a barbarian."
Elizabeth lifted her head from my shoulder and regarded me. She spoke in English. "My name is Miss Elizabeth Cardwell, Mr. Cabot," she said, "would you like to buy me?"
"No," I said, in English.
"I didn’t think so," she said, again in English, and put her head back on my shoulder.
"Did you not observe," asked Kamchak, "how she moved and breathed when you locked the steel on her?"
I hadn’t thought much about it. "I guess not," I said.
"Why do you think I let you chain her?" asked Kamchak.
"I don’t know," I said.
"To see," he said. "And it is as I thought your steel kindles her."
"Nonsense," I said.
"Nonsense." said Elizabeth.
"I suppose," said Elizabeth, "I could hop all the way on one foot."
I myself doubted that this would be feasible, particularly In her condition.
"You probably could," said Aphris, "you have muscular legs"
I did not regard Miss Cardwell’s legs as muscular. She was, however, a good runner.
Miss Cardwell lifted her chin from my shoulder. "Slave," she said.
"Barbarian," retorted Aphris.
"Release her," said Kamchak.
I reached into the pouch at my belt to secure the key to the hobble.
"No," said Elizabeth, "I will stay."
"If Master permits," added Aphris.
"Yes," said Elizabeth, glowering, "if Master permits."
"All right," said Kamchak.
"Thank you, Master," said Elizabeth politely, and once more put her head on my shoulder.
"You should buy her" said Kamchak.
"No," I said.
"I will give you a good price," he said.
Oh, yes, I said to myself, a good price, and ho, ho, ho.
"No," I said.
"Very well," said Kamchak.
I breathed more easily.
About that time the black-clad figure of a woman appeared on the steps of the slave wagon. I heard Kamchak hush up Aphris of Turia and he gave Elizabeth a poke in the ribs that she might bestir herself. "Watch, you miserable cooking-pot wenches," he said, "and learn a thing or two!"
A silence came over the crowd. Almost without meaning to, I noticed, over to one side, a hooded member of the Clan of Torturers. I was confident it was he who had often followed me about the camp.
But this matter was dismissed from my mind by the performance which was about to begin. Aphris was watching intently, her lips parted. Kamchak’s eyes were gleaming.
Even Elizabeth had lifted her head now from my shoulder and was rising on her knees a bit for a clearer view.
The figure of the woman, swathed in black, heavily veiled, descended the steps of the slave wagon. Once at the foot of the stairs she stopped and stood for a long moment. Then the musicians began, the hand-drums first, a rhythm of heartbeat and flight.
To the music, beautifully, it seemed the frightened figure ran first here and then there, occasionally avoiding imaginary objects or throwing up her arms, ran as though through the crowds of a burning city alone, yet somehow suggesting the presence about her of hunted others. Now, in the background, scarcely to be seen, was the figure of a warrior in scarlet cape. He, too, in his way, though hardly seeming to move, approached, and it seemed that wherever the girl might flee there was found the warrior. And then at last his hand was upon her shoulder and she threw hack her and lifted her hands and it seemed her entire hotly was wretchedness and despair. He turned the figure to hen and, with both hands, brushed away hood and veil.
There was a cry of delight from the crowd.
The girl’s face was fixed in the dancer’s stylized moan of terror, but she was beautiful. I had seen her before, of course, as had Kamchak, but it was startling still to see her thus in the firelight her hair was long and silken black, her eyes dark, the colour of her skin tarnish.
She seemed to plead with the warrior but he did not move.
She seemed to writhe in misery and try to escape his grip but she did not.
Then he removed his hands from her shoulders and, as the crowd cried out, she sank in abject misery at his feet and performed the ceremony of submission, kneeling, lowering the head and lifting and extending the arms, wrists crossed.
The warrior then turned from her and held out one hand.
Someone from the darkness threw him, coiled, the chain and collar.
He gestured for the woman to rise and she did so and stood before him, head lowered.
He pushed up her head and then, with a click that could be heard throughout the enclosure, closed the collar a Turian collar about her throat. The chain to which the collar was attached was a good deal longer than that of the Sirik, containing perhaps twenty feet of length.
Then, to the music, the girl seemed to twist and turn and move away from him, as he played out the chain, until she stood wretched some twenty feet from him at the chain’s length. She did not move then for a moment, but stood crouched down, her hands on the chain.
I saw that Aphris and Elizabeth were watching fascinated.
Kamchak, too, would not take his eyes from the woman.
The music had stopped.
Then with a suddenness that almost made me jump and the crowd cry out with delight-the music began again but this time as a barbaric cry of rebellion and rage and the wench from Port Kar was suddenly a chained she-larl biting and tearing at the chain and she had cast her black robes from her and stood savage revealed in diaphanous, swirling yellow Pleasure Silk. There was now a frenzy and hatred in the dance, a fury even to the baring of teeth and snarling. She turned within the collar, as the Turian collar is designed to permit. She circled the warrior like a captive moon to his imprisoning scarlet sun, always at the length of the chain.
Then he would take up a fist of chain, drawing her each time inches closer. At times he would permit her to draw back again, but never to the full length of the chain, and each time he permitted her to withdraw, it was less than the last.
The dance consists of several phases, depending on the general orbit allowed the girl by the chain. Certain of these phases are very slow, in which there is almost no movement, save perhaps the turning of a head or the movement of a hand; others ate defiant and swift; some are graceful and pleading; some stately, some simple; some proud, some piteous; but each time, as the common thread, she is drawn closer to the caped warrior. At last his fist was within the Turian collar itself and he drew the girl, piteous and exhausted, to his lips, subduing her with his kiss, and then her arms were about his neck and unresisting, obedient, her head to his chest, she was lifted lightly in his arms and carried from the firelight.
Kamchak and I, and others, threw coins of gold into the sand near the fire.
"She was beautiful," cried out Aphris of Turia.
"I never knew a woman," said Elizabeth, her eyes blazing, showing few signs of the Paga, "could be so beautiful!"
"She was marvellous," I said.
"And I," howled Kamchak, "have only miserable cooking-pot wenches!"
Kamchak and I were standing up. Aphris suddenly put her head to his thigh, looking down. "Tonight," she whispered, "make me a slave."
Kamchak put his fist in her hair and lifted her head to stare up at him. Her lips were parted.
"You have been my slave for days," said he.
"Tonight," she begged, "please, Master, tonight!"
With a roar of triumph Kamchak swept her up and slung her, hobbled as she was, over his shoulder and she cried out and he, singing a Tuchuk song, was stomping away with her from the curtained enclosure.
At the exit he stopped briefly and, Aphris over his shoulder, turned and faced Elizabeth and myself. He threw up his right hand in an expansive gesture. "For the night," he cried, "the Little Barbarian is yours!" Then he turned again and, singing, disappeared through the curtain. !
I laughed.
Elizabeth Cardwell was staring after him. Then she looked up at me. "He can do that, can’t he?" she asked.
"Of course," I said.
"Of course," she said, numbly. "Why not?" Then suddenly she jerked at the hobble but could not rise and nearly fell, and pounded her left fist into the dirt before her. "I don’t want to be a slaver" she cried. "I don’t want to be a slave!"
"I’m sorry," I said.
She looked up at me. There were tears in her eyes. "He has no right!" she cried.
"He has the right," I said.
"Of course," she wept, putting her head down. "It is like a book, a chair, an animal. She is yours! Take her! Keep her until tomorrow! Return her in the morning when you are finished with her!"
Head down she laughed and sobbed.
"I thought you wished," I said, "that I might buy you." I thought it well to jest with her.
"Don’t you understand?" she asked. "It could have been anyone to whom I was given, not just to you, but to anyone, anyone!"
"That is true," I said.
"To anyone!" she wept. "Anyone! Anyone!"
"Do not be distraught," I said.
She shook her head, and looked up at me, and through the tears smiled.
"It seems, Master," she said, "that for the hour I am yours."
"It would appear so," I said.
"Will you carry me over your shoulder to the wagon;" she asked, lightly, "like Aphris of Turia?"
"I’m sorry," I said.
I bent to the girl’s shackles and removed them.
She stood up and faced me. "What are you going to do with me?" she asked. She smiled. "Master?"
I smiled. "Nothing," I told her. "Do not fear."
"Oh?" she asked, one eyebrow rising sceptically. Then she dropped her head. "Am I truly so ugly?" she asked.
"No," I said, "you are not ugly."
"But you do not want me?" she asked.
"No," I said.
She looked at me boldly, throwing back her head. "Why not?" she asked.
What could I tell her? She was lovely, but yet in her condition piteous. I felt moved on her behalf. The little secretary, I thought to myself, so far from her pencils, the typewriter, the desk calendars and steno pads so far from her world so helpless, so much at Kamchak’s mercy and this night, should I choose, at mine.
"You are only a little barbarian," I said to her. Somehow I thought of her still as the frightened girl in the yellow shift caught up in games of war and intrigue beyond her comprehension and, to a great extent, mine. She was to be protected, sheltered, treated with kindness, reassured. I could not think of her in my arms nor of her ignorant, timid lips on mine for she was always and would remain only the unfortunate Elizabeth Cardwell, the innocent and unwitting victim of an inexplicable translocation and an unexpected, unjust reduction to shameful bondage. She was of Earth and knew not the flames which her words might have evoked in the breast of a Gorean warrior nor did she understand herself truly nor the relation in which she, slave girl, stood to -a free man to whom she had been for the hour given I could not tell her that another warrior might at her-very glance, have dragged her helpless to the darkness between the high wheels of the slave wagon itself. She was gentle, not understanding, naive, in her way foolish a girl of Earth but not on Earth not a woman of Gor female on her own barbaric world she would always be of Earth the bright, pretty girl with the stenographer’s pad like many girls of Earth, not men but not yet daring to be woman. "But," I admitted to her, giving her head a shake, "you are a pretty little barbarian."
She looked into my eyes for a long moment and then suddenly dropped her head weeping. I gathered her into my arms to comfort her but she pushed me away, and turned and ran from the enclosure.
I looked after her, puzzled.
Then, shrugging, I too left the enclosure, thinking that perhaps I should wander among the wagons for a few hours, before returning.
I recalled Kamchak. I was happy for him. Never before had I seen him so pleased. I was, however, confused about Elizabeth, for it seemed to me she had behaved strangely this night. I supposed that, on the whole, she was perhaps distraught because she feared she might soon be supplanted as first girl in the wagon; indeed, that she might soon be sold.
To be sure, having seen Kamchak with his Aphris, it did not seem to me that either of these possibilities were actually unlikely. Elizabeth had reason to fear. I might, of course, and would, encourage Kamchak to sell her to a good master, but Kamchak, cooperative to a point, would undoubtedly have his eye fixed most decisively on the price to be obtained. I might, of course, if I could find the money, buy her myself and attempt to find her a kind master. I thought perhaps Conrad of the Kassars might be a just Master. He had, however, I, knew recently won a Turian girl in the games.
Moreover, not every man wants to own an untrained barbarian slave, for much, even if given to them, must be fed
crawl under the rope that joined them, my assailant was gone. All I received for my trouble were the angry shouts of the man leading the kaiila string. Indeed, one of the vicious beasts even snapped at me, ripping the sleeve on my shoulder.
Angry I returned to the wagon and drew the quiva from the boards. ~
By this time the owner of the wagon, who was naturally curious about the matter, was beside me. He held a small torch, lit from the fire bowl within the wagon. He was examining, not happily, the cut in his planking. "A clumsy throw," he remarked, I thought a bit ill-humoredly.
"Perhaps," I admitted.
"But," he added, turning and looking at me, "I suppose under the circumstances it was just as well."
"Yes," I said, "I think so."
I found the Paga bottle: and noted that there was a bit of liquid left in it, below the neck of the bottle. I wiped off the neck and handed it to the man. He took about half of it and then wiped his mouth and handed it back. I then finished the bottle. I flung it into a refuse hole, dug and periodically cleaned by male slaves.
"It is not bad Paga," said the man.
"No," I said, "I think it is pretty good."
"May I see the quiva?" asked the man.
"Yes," I said.
"Interesting," said he.
"What?" I asked.
"The quiva," said he.
"But what is interesting about it?" I asked.
"It is Paravaci," he said.